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Monday Night Improvisation: Francesca Matthys

A black and white film image of Francesca, a multi-heritage olive brown skinned women with curly dark hair till her chest. She is in a studio space at a mid-level, her head is tilted up slightly and her focus is off to the left of the camera.
Francesca Matthys. Photo by Bilal Singh.
Francesca is dancing central of this landscape image against an autumnal background of yellow keafed trees.
Francesca Matthys. Photo by Michael Mendonas.

Stepping in Situ is Matthys’ improvisational and choreographic storytelling practice that explores connections and disconnections to ancestral wisdom, intuition, and identity: particularly through the pelvis and rhythmic feet. Rooted in her cultural heritage as a descendant of the indigenous Khoi and San peoples of Southern Africa, the practice is in direct conversation with the Nama Stap Dance, a rite of passage ritual integral to parts of her lineage.  In this practice, participants will engage in a series of improvisational scores that cultivate awareness of their relationships to ancestry and ancestral memory, considering how these shape their current existence and artistic practices.  

Currently in her research, the practice as well as object improvisation, serves as a container to research themes from Matthys’ latest choreographic work Aandag! (Attention), which reflects on what it means to be called to attention, whether by one’s lineage or by urgent socio-political realities, including the ongoing crisis of femicide in South Africa and beyond.