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Monday Night Improvisation: Mirabelle Haddon

A lively room of people dancing in a studio. Their expressions are bright and energetic. Mirabelle in wearing a white t-shirt with blue text on it, her hair is dark brown and she is wearing dark graphic eyeliner.
Mirabelle Haddon. Photo by Yury Korotetsky at the Allvalidation Festival 2026.
Mirabelle, a white woman with dark brown curly hair, is seated on the floor wearing a black long sleeve, black trousers and black and silver shoes. Reflective silver fabric is draped across her arms and pooled around her. She gazes downward at the shimmering material. The floor is dark red and the walls are white. Mirabelle is well lit.
Mirabelle Haddon at the Wiesbaden Biennale 'Putting shadows to rest’. Commissioned by Touretteshero. Photo by Elisa Grehl

‘The many-voiced landscape.’ (Abrahm 1996 quoted in Fairleigh & Rose Riley 2024 p.1)

This idea has inspired Mirabelle to think of the body as a landscape made up of many materials, including bones, flesh, minerals, and tissue. Through her movement practice, she explores a physical dialogue with the body’s inner landscape, listening to its sensations, rhythms and responses. 

Using improvisation scores, crossings, visualisation and guided tasks without words, she develops a somatic practice based on attention rather than verbal instruction. By abstracting the physical nature of British Sign Language (BSL) into movement, she explores how the body can communicate through gesture, presence and physical awareness.

Movement becomes a conversation with the body itself, allowing meaning to emerge through embodied experience rather than spoken language. Through this process, Mirabelle deepens her connection to the body’s materiality, discovering new ways of listening, responding and understanding through movement. 

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MNI 23 November: Mirabelle Haddon
£ 10.00
28 available