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Seeing, Saying, Sensing : a lab with Jo Bannon, Holly Thomas and Katherine Hall

Image 1: A colour photo of two dancers Holly and Ben in a moment of soft yet dynamic movement. They smile, standing side by side, their arms lifted in front of them, forearms connecting, sensing through touch. Image 2: A colour photo of a performer with a purple velvet cloth draped over their head and body reminiscent of a homemade halloween ghost costume. They are seated at a table, hands resting palms down in front of them, their head is turned to their right, as if speaking.
(left to right): Holly Thomas and Ben McEwan in Half Light research, photo Christopher Lewis Smith | Augusto Correiri in Jo Bannon's Blind Magic Research, photo Jo Bannon.

This is a lab oriented towards artists, dancers and makers who see differently or are interested in the creative potential of seeing differently. Inspired by the strategies, movement techniques and knowledge of many of the Blind, Visually Impaired and disabled artists the facilitators have worked with, this workshop aims to explore how we see, say, and sense the world around us. All creatives welcome.

We will work with different modes of understanding and communicating including touch, language, periphery, unison, audio description and deception. By exploring these different sensory languages we will investigate different ways to perceive our own bodies, movement and the environment around us, and how this then could inform choreographic creations.

Jo Bannon and Holly Thomas will co-host the workshop and Katherine Hall will be providing a scaffolding support to Jo, Holly and participants.

We will begin by warming up our bodies, tuning in to the space and people around us, and searching for ways to embolden our senses. On each day we will explore Jo and Holly’s current choreographic research ideas and questions through movement, writing, speaking and touch. The workshop will include moving our bodies independently but in company, creative movement exercises in partners and in small groups, conversation, reflection and note-taking time.We invite you to bring clothes to move in, snacks, and your favourite way to record things – pen and paper, voice recording etc.

8 free bursary places are available for visually impaired participants.  You can register interest by calling 0207 091 9665 or by email at info@independentdance.co.uk. This can simply be your name and a request for a bursary place.  If more than 8 individuals register interest, the bursaries places will be offered via a lottery rather than by any form of selection process. The deadline for registering interest is 20 February and we will inform everyone of the outcome on 21 February.

Access
We understand access needs are different for everyone and we are committed to this workshop being an environment that is inclusive, accessible and supportive to each other.

  • The workshop is a relaxed space meaning you are free to come and go, rest or take part, sit, move, make noise, lie down, as desired and needed.
  • A quiet space and various seating options (mats, bean bags, sofa etc) will be available in and outside of the workshop space.
  • We will be working with techniques inspired by audio description and so much of how we work will include integrated audio description. Katherine will also be providing informal audio description when needed.
  • There is a lift and wheelchair access. The studio space is on the second floor. The nearest bathrooms and a quiet resting room are on the first floor.
  • Companion tickets are available for PAs and carers.
  • BSL can be provided on request; please give advance notice if possible.

You are welcome to contact us on info@independentdance.co.uk or 0207 091 9665 to discuss access requirements with ID’s team.

Image Descriptions
Image 1: A colour photo of two dancers Holly and Ben in a moment of soft yet dynamic movement. They smile, standing side by side, their arms lifted in front of them, forearms connecting, sensing through touch.
Image 2: A colour photo of a performer with a purple velvet cloth draped over their head and body reminiscent of a homemade halloween ghost costume. They are seated at a table, hands resting palms down in front of them, their head is turned to their right, as if speaking.

An audio version of this text is available here: