Creating work from the practice of performance, Ros Warby

Addressing the notion of ‘where to begin?’ Can we let the practice of performance inform the direction the work takes and not limit the development process to our preconceived ideas about what we think might be a creative or resonant outcome. Without reducing or eliminating content can we notice thematic content, concepts, ideas, material, manifest from the practice of dance. What then? How do we manage our innate urge to manipulate, create, interfere and direct the dance from a place we think we understand.